i see lucy as a racist film that plays on negative stereotypes while hiding behind the cover of (white) feminism.
all this film has done is switch out the white man for a white woman. it’s still a film about a white person getting violated by the evil poc, then gaining power and wiping them out.
here’s 2 of my favourite scenes from the trailer:
from top to left to right:
KEEP CLEAN 保持清潔，APPLE 蘋果，ONION 洋蔥，GRAPE 葡萄，
CHAIR 椅子EDIT: sorry it says ORANGE 橘子，TOMATO 番茄
traditional chinese is an actual written language used by millions of people, not symbols to be thrown around at the whim of set designers because they look cool and idk, serves to create a menacing asian atmosphere. this is so disrespectful, and made even worse by the fact that this film in set it taipei, taiwan where the official written language is traditional chinese.
it doesn’t matter that this film caters to a primarily “white” audience who won’t be able to read it, the language and culture of taiwan isn’t something for you to twist and use as you deem fit because it’s “exotic.”
lucy shoots a guy for not being able to speak english.
she l i t e r a l l y shoots this taiwanese taxi driver, in taiwan for not being able to speak english. she’s in taipei and she’s shooting people as they are of no use to her because they don’t speak english.
just think about the sort of message that’s sending out. she’s not being “bad-ass strong female character who takes no shit,” she’s saying that english is useful and better. this is the type of harmful ideology that stretches all the way back from when western countries were colonising and forcing their language and customs on other countries.
let me explain with a real life example. i was born in new zealand to two taiwanese parents. i am fluent in english, but mandarin is conversational at best. my friends in taiwan say that i am “so lucky” to speak fluent english, when they are fluent in mandarin and their english level is no worse than my mandarin. they tell me that they want to perfect their english but in the same breath tell me that mandarin isn’t worth perfecting because i have english and that’s “enough”. they also tell me how pretty my white friends are when they see pictures.
this is the type of neo imperialism ideology that they’ve grown up buying into. it honestly hurts and frustrates me that they belittle their own culture like this, honestly believing that the western world is superior. this is the type of neo imperialism ideology that this film (hopefully unintentionally) promotes: white people are better and will save the day.
if they wanted to film a movie about a white women getting back at those who had violated her, why not film it in a western country? if they wanted to film it in taiwan, why not find an asian lead actress?
i do agree that we need more women protagonists in action/superhero movies, but not like this. its not okay that the female lead needs to be kidnapped and have her body cut open without her consent in order to gain her powers, and those said those powers do not make any of this racist bullshit okay.
i am just so tired and angry of poc always being brushed off to the side as either props or villains in mainstream media.
as a poc, it’s so frustrating to see that the of the standard of beauty still white women when we live in multi-cultural societies and a diverse world.
feminism is about equality. a film in which poc are presented as evil and inferior before being killed off by a superior white woman does not promote equality.
-By Sharon H. Chang
When I wrote my first post for Hyphen, Talking Mixed-Race Identity with Young Children, I was deliberately blunt about race. I wrote about how I don’t tell my multiracial son, who presents as a racial minority, that he’s white — but I do tell him he’s Asian. While the essay resonated with many people, others made comments like this:
“Your child is as white as he is Asian… Why embrace one label and not the other?”
“Why is he Asian but not white? He has white ancestors as much as Asian ones. So if it’s OK to call him Asian, it’s OK to call him white. Or, if it’s not OK to call him white (because he’s not completely white) then it’s not OK to call him Asian, because he’s not completely Asian either.”
“Your child is neither white nor Asian. I once heard this description: When you have a glass of milk and add chocolate to it, you no longer have just a glass of milk and you no longer just have chocolate because you have created something completely different. A bi-racial or multi-racial child is not either/or.”
In the 1990s, psychologist and mixed-race scholar Maria P.P. Root wrote the famous Bill of Rights for People of Mixed Heritage, stirred by her examination of mixed-race identity, interviews with hundreds of multiracial folk across the U.S., and the struggles multiracial people face in forming and claiming a positive sense of self. “I have the right not to justify my existence to the world,” it reads. “To identify myself differently than strangers expect me to identify. To create a vocabulary about being multiracial or multiethnic.”
Almost two decades later, these proclamations still ring so true. Some people are completely unwilling to honor my family’s choice to identify as mixed-race and Asian because it doesn’t align with their own ideas about how we should identify. The right of a mixed-race person to self-construct and self-define, even today, endures continual policing from people with their own agendas.
“If it’s not OK to call him white…then it’s not OK to call him Asian”; “Your child is neither white nor Asian.” These critiques are so often centered on whiteness: a sense of disbelief that I would “deny” it to my son, and the conviction that, if I won’t teach him he is white too — or at least partly white — then he is nothing at all. Even the problematic chocolate milk analogy — which the commenter clearly thought was progressive — begins with a glass of white milk with “color” added. White is seen as normative, and there is a total failure to recognize that racial categories are political.
Of course I talk to my son about our white family members who are a part of his life and his identity. But those stories are about growing up in Virginia, or window candles at Christmastime in New England, or his Slovakian great-great-grandmother who came through Ellis Island alone when she was sixteen. Those stories are about our history, not about being “white.” “White” is not an ethnic celebration, a food festival, or a heritage parade. It’s about having unearned power and privilege based on the way you look.
In Dr. Peggy McIntosh’s famous essay on white privilege, she listed a series of unearned privileges white people enjoy. Among them: “I can if I wish arrange to be in the company of people of my race most of the time”; “I can turn on the television or open to the front page of the paper and see people of my race widely represented”; “I can speak in public to a powerful male group without putting my race on trial”; and “I can be pretty sure that if I ask to talk to the ‘person in charge,’ I will be facing a person of my race.” Are any of these true of my multiracial Asian son? My son, who barely has any children’s books that reflect his racial image, who is constantly scanned and assessed aloud based on “how Asian” he looks, my son who has had many more white teachers than teachers of color?
Telling my child he’s white also won’t help him understand why children who were less than one-quarter Japanese were interned during World War II; why a stranger would look at him and say there are no “pure races” anymore; why a leading theatre company in our city unabashedly staged a yellowface production of an operetta; why kids on the playground pull back their eyes in a slant and spit out one of those ridiculous anti-Asian chants that just won’t go away. When I tell my son that he is Asian, mixed-race, multiracial, and a person of color, I’m not denying him parts of his ancestral-ethnic heritage. I’m teaching him about the race politics that intrude upon our lives whether we want them to or not. I’m preparing him to exist in a world that obstinately persists in being racially divided. And I’m trying to let him know something about the ways he has and will continue to be judged throughout his life, not because he’s white — but because he’s mixed with color.
"fake gamer girl"
because i would totally spend 60 bucks on something i don’t want just so i can impress a boy and his penis
Lieke van Houten
i want to go back in time so i can slap the 17 year old me in the face
Chungking Express (1994) dir. Wong Kar Wai